動画のプロンプト
Use the supplied image as the exact first frame of one continuous landscape video. Animate this existing frame rather than redesigning the scene. Preserve the native 1280 by 704 composition, approximately 20:11, and make a quiet shot lasting about 15 seconds at 24 fps. A small weathered wooden cottage and a few slender birch trees occupy a tiny rocky island surrounded completely by blue lake water.
FIXED CAMERA, THE PRIMARY CONSTRAINT
Lock the camera completely for the entire clip. Keep the same elevated oblique angle looking down at the island, the same focal length, the same distance, the same framing and the same perspective as the reference. The viewpoint looks like an aerial photograph held perfectly still. It must not behave like a moving drone. No pan, tilt, roll, orbit, dolly, push in, pull back, zoom, handheld movement, floating POV, parallax or stabilization drift. Do not follow the waves or the leaves with the camera. Treat the chimney, roof peak, veranda corner and shoreline rocks as stationary screen anchors.
Preserve the reference image's small subject scale and generous water margins. The complete island, including trees and cottage, occupies roughly the middle third of the picture width and the middle third of its height. The rocky footprint runs from about 31 percent to 66 percent of the frame width and ends near 64 percent of the frame height. Keep the treetops near 29 percent of the frame height. The island is centered slightly left of the exact horizontal midpoint. The cottage sits on the right half of the island and the birches on the left. There is uninterrupted lake water above, below and on both sides. No horizon, sky, distant shore or land enters the frame. Do not enlarge the cottage to fill the shot.
PRESERVE ALL SOLID STRUCTURE
Keep the same compact gray brown timber cottage with vertical weathered board siding, steep shingled gables, a small roof dormer with divided windows and a tall rough tan stone chimney near the right rear roof edge. Preserve the dark window openings, warmer timber beneath the porch roof, narrow upright veranda posts, fine wooden balusters and raised deck wrapping around the visible sides. Keep the sheltered porch bays empty and the underside of the deck dark. Roof corners, chimney masonry, windows, railings and support posts remain rigid and unchanged across every frame. Do not move doors, open windows, change roof tiles or light up the interior.
Keep the low irregular island of pale warm granite slabs, smaller shoreline rocks, sparse short grass and a few low plants. Preserve the small pale open dinghy resting diagonally at the front left shoreline, including its dark interior seat slats. It stays grounded in its opening position. The birches retain their slender white trunks, branching structure and loose green crowns. The island is solid land, not a floating platform. It must not bob, rotate, drift, grow or change shape.
MOTION BELONGS TO WATER, REFLECTIONS AND LEAVES
The lake supplies the main animation. Continue the dense fine wind ripples already visible in the first frame, as many shallow overlapping wavelets rather than a few large waves. Let small blue ridges, dark troughs and scattered pale highlights evolve continuously across the entire water field. Nearby ripples at the lower edge read slightly larger and sharper than the distant texture toward the upper edge. Preserve this perspective gradient without changing the camera. Water stays medium cool blue above the island and deepens toward the lower foreground.
At the rocks, animate only gentle lapping and a thin shifting dark waterline. Small wavelets wrap around the shoreline and die against the stone. Do not raise the lake level, submerge the island, create foam bands or send a dramatic wake through the scene. There are no passing boats or objects to cause a large wave.
The dark broken reflection directly below the cottage and trees changes with the moving water. Stretch and break its small pieces naturally across successive ripples, while retaining its overall location beneath the island. Reflections should fluctuate independently of the rigid house above them. They are not a perfectly sharp mirror image, a second island or a solid dark shadow painted onto the lake. Fine water highlights may flicker naturally as ripples change orientation, but exposure must not pulse.
Allow very subtle local flutter in the birch leaves and a tiny flex of the finest twigs. Keep the white trunks, the crowns' overall extent and their relationship to the roof stationary. Avoid synchronized waving of entire trees, exaggerated wind, bending trunks, melting foliage or a new branch growing between frames. Grass may barely tremble. Nothing else needs to move.
CONTINUITY AND PACING
Begin directly on the supplied frame at time zero with no fade or camera settling. Over the opening seconds, let the existing water texture develop into gentle motion without a visible start signal. Through the middle of the clip, sustain the same quiet level of rippling, subtle reflection distortion and occasional leaf flutter. Finish after about 15 seconds with the same view, island scale, light and scene layout. There is no new event, weather change, cut, transition or ending camera move. Do not force the last frame to snap back to the first. The visual can feel ambient and repeatable without claiming a frame perfect loop.
LIGHT AND RENDERING
Match the reference's clean natural daylight, sunlit pale stone, bright white birch bark, fresh muted green leaves, warm porch timbers and shaded gray side wall. Preserve the direction and placement of the existing shadows throughout. Keep the roof, dormer and cabin textures photographic, with fine detail at the small subject scale. Maintain the source's restrained miniature island impression through composition, not by turning the scene into a cartoon toy, plastic render or heavily blurred tilt shift photograph. Keep water and island readable at the same fixed focus distance. No rack focus, lens breathing, bloom pulse, color grade shift or time lapse.
This prompt specifies visual reconstruction. Do not copy the source soundtrack. If audio is required, use only quiet original lake ambience, soft water lapping and very faint leaves, without speech or music.
Negative prompt: camera motion, moving drone, pan, tilt, roll, zoom, dolly, push in, orbit, handheld shake, viewpoint drift, parallax, automatic reframing, enlarged cabin, cropped island, sky, horizon, distant shoreline, waves frozen in place, ocean swell, whitecaps, storm, flooding, floating island, drifting dinghy, walking people, birds, extra boats, smoke from chimney, moving building parts, distorted porch rails, morphing windows, changing roof, growing trees, flashing reflections, exposure flicker, blurred island, focus change, scene cut, transition, loop reset, added text, captions, logo, watermark, frame, UI.
Prompt details and source
Ramin Nasibov が投稿した元動画から視覚プロンプトを再構成しました。元の生成プロンプトは提供されておらず、再現映像も生成していません。投稿アカウントは確認済みですが、元の制作者と制作方法は独立して検証していません。プレビューには元音声を残しており、音楽の再制作は指定していません。
最初のフレームの画像プロンプトを読む
Create one highly detailed photorealistic landscape image of a tiny rocky island with a solitary rustic timber cottage and a small group of birch trees, completely surrounded by blue lake water. Match a 1280 by 704 composition, approximately 20:11. Use an elevated oblique viewpoint looking down toward the island with no visible horizon or sky. The result should feel quiet, plausible and slightly extraordinary because the island is barely larger than the house.
COMPOSITION, CENTERING AND WATER MARGINS
Keep the subject deliberately small. The complete island and treetops occupy roughly the central third of the image width and the central third of its height, centered slightly left of the exact horizontal midpoint. The rocky island spans approximately x 31 percent to 66 percent, with its front edge at about y 64 percent. The top of the tree canopy is around y 29 percent. Preserve broad uninterrupted water on every side, roughly 30 percent of the width to the left, 34 percent to the right, a generous upper water field and a deep foreground water field. Do not crop any part of the island. Do not zoom into a house portrait.
Place the house on the right half of the island, approximately x 43 percent to 63 percent of the whole image. Place the birches immediately to its left, their foliage overlapping the left roof edge slightly. Show the house's dark gray gabled side on the left and its warmer covered porch facing toward the lower right. Keep the roof and porch in a coherent three quarter perspective.
COTTAGE DETAILS
Use a compact weathered cottage with gray brown vertical timber board siding and a steep roof covered in aged gray shingles. The main gable has a deep dark upper window opening. Include smaller dark windows in the visible side wall. A modest rectangular dormer with divided glazing projects from the right facing roof plane. A tall rough tan stone chimney stands near the roof's right rear corner. Preserve the restrained scale of the chimney and dormer.
A raised wooden deck wraps around both visible sides, with many narrow vertical balusters and a thin level top rail. Support it on short posts above the rock, leaving a dark strip underneath. The porch on the warmer right face is covered by the sloping roof and divided by slim timber supports into open shaded bays. Keep the porch empty. Include subtle aged wood variation and readable construction, without furniture clutter, decorative signs or people.
ISLAND, TREES AND DINGHY
Build the island from low uneven warm gray and pale golden granite slabs. Its rounded irregular footprint is wider than the house, with small dark stones along the left edge, sparse olive grass beneath the trees and sunlit stone in front of the deck. It is a solid rocky outcrop meeting the lake directly, with no retaining wall or large beach.
On the left, add a small cluster of slender white bark birch trunks with delicate branching and loose fresh green crowns. Let individual foliage clumps reveal blue water through gaps. Their total height is only moderately greater than the cottage roof and chimney. Keep the canopy airy rather than a large solid round tree. At the front left shoreline, include one very small pale gray open dinghy resting diagonally on the rocks, with its pointed ends and dark seat slats visible. Keep the dinghy subordinate to the house.
WATER, REFLECTION AND LIGHT
Fill every remaining part of the canvas with blue lake water, slightly paler and finer textured toward the upper background, darker and more detailed in the foreground. Cover it in many small low wind ripples, overlapping dark troughs and scattered light glints. The water is not glass smooth and not a rough ocean. Directly beneath the island, include a loose dark broken reflection of the cottage, trees and rock that stretches down into the foreground and dissolves into the ripples. Do not make a perfectly mirrored duplicate.
Use the reference's steady clear daylight from the upper right and front, emphasizing the pale rocks, white trunks, chimney edge and warmer porch while leaving the left side wall and the spaces beneath the veranda in shade. Maintain natural blue, muted green, gray wood and warm stone. Keep fine architectural detail and realistic textures with no exaggerated vignette, blur, atmospheric haze or dramatic cinematic color shift.
No people, other houses, docks extending off the island, additional boats, birds, smoke, mountains, distant land, sky, clouds, horizon, text, logo, watermark, border or platform interface. Preserve the small central island and generous water margins. For video reconstruction, attach the extracted source first frame itself; this still prompt describes that frame but is not a verified generation recipe for an identical replacement.
青い湖水に囲まれた小さな岩の島に、素朴な木の小屋と白樺が立つ。動画のプロンプトと最初のフレームを取得し、Clico Web で調整できます。
最初のフレームの参照画像
最初のフレームをダウンロードこのフレームは Clico Web に引き継がれます。移動先で差し替えることもできます。
カメラ： 高い位置の固定視点で、構図と被写体の大きさを保ちます。小屋と島を静止させ、湖の波紋、途切れる反射、わずかな葉の動きを加えます。