動画のプロンプト
Use the supplied reference image as the exact first frame of one continuous vertical 9:16 travel video. Animate forward from that image without an opening transition or a newly invented establishing shot. Match its boat, villa, garden, shoreline, lighting, colors and perspective before introducing any movement. Target approximately 16.6 seconds at 30 fps. This is a moving boat POV, observed from a passenger position behind the polished wooden foredeck, looking diagonally toward a lakeside villa garden on Lake Como.
FIRST FRAME AND SCENE CONTINUITY
At time zero, the curved varnished mahogany bow fills roughly the bottom third of the portrait frame. Preserve its orange brown wood, narrow pale parallel seams, glossy sky reflections, chrome fittings and small blue pennant toward the lower left. The bow is close to the lens, with a narrow band of deep green lake water separating it from the shore. Do not remove the boat from the opening image. Do not introduce the passenger, hands, a steering wheel or a second boat.
Across the water, keep the warm ochre villa and its dark tiled roof partly hidden among tall narrow cypress trees. Preserve the muted blue green shutters, shaded entrance porch, climbing plants, low pergola, tightly clipped horizontal hedges and large rounded shrubs at the waterline. A red purple ornamental tree sits toward the right. The hillside rises behind the buildings in many layers of dense deciduous and conifer foliage, with exposed gray rock on the left and through the vegetation on the right. Keep the saturated clear blue sky and bulky sunlit white cloud toward the upper left. This is bright natural summer daylight with clean shadow direction and rich but believable green foliage, not a fantasy villa or a painted scene.
The small landing initially sits left of center. Retain its low stone arch over a dark opening at the waterline, pale stone balustrade, narrow wet steps, paired ochre gate pillars topped with weathered statues, ornate iron gate and slender mooring poles painted green above reddish lower sections. Keep the pale circular rings on the poles. These are stable landmarks. Their relative structure must remain coherent as the view becomes closer. Never rebuild the gate, change the number of pillars, slide a statue independently or make the stairs bend.
CAMERA AND POV
The viewpoint is not locked to the shore or to a tripod. Reproduce a gently floating passenger camera on a slowly moving boat. Begin at the exact height and angle of the reference image. Introduce low amplitude vertical bobbing, small lateral drift and mild roll, with occasional gentle reframing toward the garden landing. The result should feel like a steady handheld phone carried on a boat, not a perfectly level architectural flythrough and not severe handheld shake.
During the first several seconds, let the bow slide gradually toward and through the lower left edge as the camera attends more to the shoreline. Let the small pennant flutter briefly while it is still visible. Preserve continuous occlusion: the wooden deck leaves the frame because the view changes, not because the wood dissolves or the boat turns transparent. Keep the landing, villa and trees visible throughout.
After the wider middle portion, bring the landing progressively closer with a smooth push in and gradual magnification. Recenter the gate and steps rather than keeping their initial pixel position fixed. Match the visual result of the source: foreground water, shrubs, poles and gate become more prominent while the distant hillside stays structurally consistent. A gentle camera zoom may contribute to the later magnification; avoid an abrupt focal length jump, a dramatic orbit or a high drone ascent. Do not invent a large sideways flight around the villa. Preserve modest boat sway while the view tightens.
MOTION TIMELINE
0 to about 3 seconds: retain the wide view with the reflective wooden bow dominant below, the landing small and left of center, the ochre villa behind the cypresses and a narrow open water gap. The boat and camera drift gently, reflections slide across the varnish, and the flag flutters. The bow begins moving leftward within the image.
About 3 to 7 seconds: the bow becomes a curved fragment at the lower left and gradually exits. Reframe slightly upward toward the garden, allowing more open sky. The landing remains across the rippling water. Keep the view unhurried and continuous, with only mild changes in tilt and roll.
About 7 to 11 seconds: hold attention on the same villa entrance while the view gradually tightens. The water still occupies the lower foreground. The rounded hedge masses, stone arch, stairs and green mooring posts become easier to distinguish. Keep all architecture rigid and retain the same cypress silhouettes.
About 11 to 16.6 seconds: continue the gradual approach and magnification until the landing and paired statue pillars fill much more of the lower and central frame. The boat bow is now outside the image. The right side steps and a small patch of white wave splash at their base become visible. Tall cypresses extend toward the upper edge, while the ochre porch remains behind the gate. End while still floating on the water before the steps. Do not dock, disembark, pass through the gate, cut to another location or reset to the opening frame. The ending is not a seamless loop.
INDEPENDENT SCENE MOTION
Animate the lake continuously with fine irregular ripples, crossing wavelets, brief silver sun glints and broken green reflections. Nearby water patterns travel through the foreground faster than the distant shore appears to move. Let small waves lap against the stone arch and steps, producing occasional short lived white splashes near the end. Foliage can tremble almost imperceptibly, but the tall trees must not bend dramatically. Clouds should retain their large recognizable forms over this short shot. Keep light and exposure stable, with no weather transition, time lapse or day to night change.
IMAGE QUALITY AND SOUND
Preserve a realistic detailed phone travel video look, bright sun on clipped greenery, shaded porch interiors, textured masonry, natural water and polished wood. Use continuous focus that keeps the shore readable. Maintain the exact portrait crop, with no letterboxing, split screen or social platform interface. This specification reconstructs visual motion only. Do not attempt to reproduce the source soundtrack; if audio is required, use quiet original lake ambience and soft boat water sounds without music or speech.
Negative prompt: fixed tripod, frozen viewpoint, static water, giant waves, rapid pan, violent shake, drone flight, abrupt zoom, orbit, cuts, transitions, loop reset, boat teleporting, melting deck, changing villa, moving pillars, duplicated statues, bending cypresses, warped railings, sliding shoreline, flickering shadows, new people, new boats, readable text added to the scene, captions, watermark, logo overlay, border, UI.
Prompt details and source
@echoesofworld が投稿した元動画から視覚プロンプトを再構成しました。元の生成プロンプトは提供されておらず、再現映像も生成していません。元の撮影者は確認できていません。プレビューには元音声を残しており、音楽の再制作は指定していません。
最初のフレームの画像プロンプトを読む
Create one photorealistic vertical 9:16 travel photograph from a passenger position on a polished wooden motorboat looking toward a lakeside Italian villa garden. Match an eye level view from just behind the foredeck. The setting is Lake Como in bright summer daylight. The composition is an intimate boat POV facing diagonally toward the shore, with the villa entrance left of center and a steep densely wooded hillside behind it.
FOREGROUND AND MARGINS
Fill roughly the bottom third with the broad curved mahogany bow of the boat. Its upper edge begins near two thirds of the frame height and curves lower toward the right edge. Crop the deck naturally at the left, bottom and right edges. Use rich amber and reddish brown varnished planks separated by thin pale parallel seams, sharp chrome fittings and soft reflections of white clouds across the glossy wood. Include a small blue pennant on a slim metal staff near the lower left, with subtle white markings rather than newly invented branding. Do not show passengers, hands or the helm. Preserve a narrow but distinct band of open dark emerald lake water between the bow and the shore.
SHORELINE AND ARCHITECTURE
Across the middle of the frame, place a low lakeside landing slightly left of center. Its pale gray stone frontage includes a small dark arch at the waterline, a short balustrade and narrow stairs. Two square warm ochre gate pillars are topped by weathered classical stone statues. An ornate dark iron gate stands between them. Several slender mooring poles, green above and reddish brown near the water, rise in front of the landing with pale circular rings attached. Keep their scale small enough to read as part of a wide garden view.
Behind the gate stands a compact ochre villa with a dark brown terracotta tiled roof, a chimney, muted pale blue green shutters and a shaded lower porch. Let tall cypresses overlap and partly hide the building. The house should occupy only a modest portion of the image rather than becoming a large frontal architectural portrait. Retain the informal diagonal view of the roof and porch. Add a low shaded pergola extending toward the right.
VEGETATION AND DEPTH
Use a distinctive row of very tall, slim, tightly shaped dark green cypress trees rising from the garden, with their pointed and rounded tops staggered at different heights. The tallest visible cypress near the left center reaches into the upper fifth. Keep a closely clipped bright green horizontal hedge across the garden frontage and several large rounded topiary shrubs directly over the water. Place a compact red purple ornamental tree and terracotta urns toward the right. Behind everything, a steep hillside rises toward the upper right in dense layers of olive, forest and fresh green deciduous trees and conifers. Reveal rough gray rock along the left shoreline and in a few gaps toward the right. Preserve clear overlap between the boat, water, landing, villa, cypresses and distant forest.
SKY, LIGHT AND SURFACE
Show clear medium blue sky mainly in the upper left and above the cypress tips, interrupted by a large billowing white cumulus cloud entering from the top left. Use direct warm afternoon sun, bright clipped hedges, deep shaded gaps between trees, readable ochre plaster and strong but natural water reflections. The lake is dark green with small uneven ripples and scattered silver highlights. The wood is glossy, the stone is rough, the foliage is detailed and the building is matte. Keep the photograph crisp and richly colored without painterly brushwork, dreamy blur or exaggerated HDR halos.
No platform interface, captions, added logos, watermark, border, people, extra boats, modern tower blocks, invented mountains, symmetrical resort courtyard, oversized villa, aerial perspective or studio lighting. This is a still image specification for the actual opening composition, not the tighter view of the gate at the end of the video. When making the video, use the extracted first frame itself as the reference so the exact layout does not depend on regenerating this still prompt.
乗客の視点で、磨かれた木のボート越しにイタリアの湖畔の邸宅と庭を望む。動画のプロンプトと最初のフレームを取得し、Clico Web で調整できます。
最初のフレームの参照画像
最初のフレームをダウンロードこのフレームは Clico Web に引き継がれます。移動先で差し替えることもできます。
カメラ： 進むボートからの視点が穏やかに揺れ、構図を調整しながら、徐々に船着き場へ近づきます。後半の拡大にはズームも含まれる可能性があります。